From London to Land's End

ccuracy of his calculations, and the more or less
resemblance of his scheme to the system of free grants of land in
unsettled regions beyond the sea, each reader will speculate in his own
way.

There are interesting notes on the extent of the sheep farming upon the
Downs crossed in this journey. There is high praise of the ladies of
Dorsetshire. There are some pleasant notes upon dialect, including the
story, often quoted, of the schoolboy whom Defoe saw and heard reading
his Bible in class, and while following every word and line with his eye,
translating it as he went into his own way of speech. Thus he turned the
third verse of the fifth chapter of Solomon's Song, "I have put off my
coat; how shall I put it on? I have washed my feet; how shall I defile
them?" into "Chav a doffed my cooat; how shall I don't? Chav a washed my
veet; how shall I moil 'em?" This is a good example of intelligent
reading; for the boy took in the sense of the printed lines, and then
made it his own by giving homely utterance to what he understood.

Defoe tells in this letter several tales of the shorefolk about the Great
Storm of November, 1703, recollection of which Addison used effectively
in the following year in his poem on the Battle of Blenheim. There was
the sweeping away of the first Eddystone Lighthouse, with the builder,
confident in its strength, who had desired to be in it some night when
the wind blew with unusual fury. There was the story also of the man and
two boys, in a ship laden with tin, blown out of Helford Haven, and of
their hairbreadth escape by counsel of one of the boys who ran the ship
through rocks into a narrow creek that he knew in the Isle of Wight. The
form of the coast has been changed so much since 1703 by the beat of many
storms, that it may be now impossible to know that little cove as the boy
knew it. It must have been at the back of the island. Were the storm
waves tossing then in Steephill Cove or Luccombe Chine? Does there
survive anywhere a tradition o

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Various, or Various Production, is an English dubstep/electronic music duo formed in 2003. The group blends samples, acoustic and electronic instrumentation, and singing from a revolving cast of vocalists. Its members, Adam and Ian, purposefully give very little information about the group or themselves, and tend to do little in the way of self-promotion.[1] Nevertheless, the group began winning critical acclaim with its single releases in 2005 and 2006.[2] Their full-length for XL, The World is Gone, arrived in July of 2006.[3][4][5][6][7] They have released a large number of vinyl EPs and 7 records, as well as digital exclusives for Rough Trade, iTunes, and Boomkat.[8]

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John Dryden (August 19 [O.S. August 9] 1631May 12 [O.S. May 1] 1700) was an influential English poet, literary critic, translator and playwright, who dominated the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden.