sman, page 310.]


[Footnote C: Barbot, page 326.]


[Footnote D: When the great income which arises to the Negroe Kings on
the Slave-Coast, from the slaves brought thro' their several
governments, to be shipped on board the European vessels, is considered,
we have no cause to wonder that they give so great a countenance to that
trade: William Bosman says, page 337, "_That each ship which comes to
Whidah to trade, reckoning one with another, either by toll, trade, or
custom, pays about four hundred pounds, and sometimes fifty ships come
hither in a year." Barbot confirms the same, and adds, page 350, "That
in the neighbouring kingdom of Ardah, the duty to the King is the value
of seventy or eighty slaves for each trading ship_." Which is near half
as much more as at Whidah; nor can the Europeans, concerned in the
trade, with any degree of propriety, blame the African Kings for
countenancing it, while they continue to send vessels, on purpose to
take in the slaves which are thus stolen, and that they are permitted,
under the sanction of national laws, to sell them to the colonies.]


[Footnote E: Bosman, page 340.]


[Footnote F: Note, from the above account of the indecent and shocking
manner in which the unhappy Negroes are treated, it is reasonable for
persons unacquainted with these people, to conclude them to be void of
that natural modesty, so becoming a reasonable creature; but those who
have had intercourse with the Blacks in these northern colonies, know
that this would be a wrong conclusion, for they are indeed as
susceptible of modesty and shame as other people. It is the unparallel'd
brutality, to which the Europeans have, by long custom, been inured,
which urgeth them, without blushing, to act so shameful a part. Such
usage is certainly grievous to the poor Negroes, particularly the women;
but they are slaves, and must submit to this, or any other abuse that is
offered them by their cruel task-masters, or expect to be inhumanly
tormented into acquiescence. That th

Notka biograficzna

Various, or Various Production, is an English dubstep/electronic music duo formed in 2003. The group blends samples, acoustic and electronic instrumentation, and singing from a revolving cast of vocalists. Its members, Adam and Ian, purposefully give very little information about the group or themselves, and tend to do little in the way of self-promotion.[1] Nevertheless, the group began winning critical acclaim with its single releases in 2005 and 2006.[2] Their full-length for XL, The World is Gone, arrived in July of 2006.[3][4][5][6][7] They have released a large number of vinyl EPs and 7 records, as well as digital exclusives for Rough Trade, iTunes, and Boomkat.[8]

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Various, or Various Production, is an English dubstep/electronic music duo formed in 2003. The group blends samples, acoustic and electronic instrumentation, and singing from a revolving cast of vocalists. Its members, Adam and Ian, purposefully give very little information about the group or themselves, and tend to do little in the way of self-promotion.[1] Nevertheless, the group began winning critical acclaim with its single releases in 2005 and 2006.[2] Their full-length for XL, The World is Gone, arrived in July of 2006.[3][4][5][6][7] They have released a large number of vinyl EPs and 7 records, as well as digital exclusives for Rough Trade, iTunes, and Boomkat.[8]

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John Dryden (August 19 [O.S. August 9] 1631May 12 [O.S. May 1] 1700) was an influential English poet, literary critic, translator and playwright, who dominated the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden.